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Includes the essays: "Andries Botha, (dis)Appearance(s)" by Valerie Leigh "Lest We Forget" by Professor Pitika Ntuli "History, Art, Remembering and Memorials (Harm)" by Dr Johan Wassermann "An Art of Imagining" by Professor Mike Chapman Catalogue of the travelling exhibition that opened at the University of Stellenbosch Woordefees in March 2011. Catalogue of the exhibition, Cape Town, 30 August-2 September 2002.Includes the essays: "'Stains Upon Silence'" by Michael Godby "Feet Also Feature" by Sally-Ann Murray "The Picture Stares Back" by Gerhard Schoeman. A complex art installation bringing together issues of public sculpture, urban planning, city politics & performance art. Catalogue of the exhibition on the Werdmuller Centre, an iconic "failed" piece of architecture built in the 1960s in Claremont, Cape Town, Michael Stevenson, Cape Town, 2010. Angela Ferreira was born in 1958 in Maputo, Mozambique, and now lives and works in Lisbon.Catalogue of the exhibition of paintings, Johans Borman Fine Art, Cape Town, 2012. , a project working with aspiring artists from the Dunoon community, and the Comic Art Unit of the Centre for Comic, Illustrative and Book Arts (CCIBA) at Stellenbosch University.Includes an introduction by Johans Borman and paintings by JH Pierneef, Adolph Jentsch, Peter Clarke, Erik Laubscher, Cobus van Bosch, Walter Battiss, Cecil Skotnes, Simon Stone, Sanell Aggenbach, Clare Menck, Walter Meyer and Joshua Miles. Contributions include: "The Pastor's Gift", with a script by Junior Survivors of Performing Arts and art by Thabo Mondreki and Robbie Millan "Chippa my Auntie" with a scipt written by the Black Ink Arts Movement and art by Susan Opperman, Sabatha Ngesi and Thabo Mondreki "Petrified", a comic strip that came into being during a visual art performance event organised by CCIBA at the old cement factory in Philippi as part of CCIBA's Masterclass and Symposium on the Graphic Novel, coordinated by Andy Mason and Lieve Vanleeuw.

Catalogue of the exhibition, Sasol Art Museum, Stellenbosch, October 2012 - January 2013.

His first important commission as architectural sculptor was to create the old Republican coat of arms for the pediment over the entrance to the Old Council Hall (Raadsaal) on Church Square in Pretoria.

Thereafter he created architectural sculpture for numerous prominent buildings in Pretoria and Johannesburg, as well as many Afrikaner monuments and free-standing public sculptures.

Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis, "Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and "Sublime Confusion" by Delphi Carstens. Includes the essays: "Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman "Introduction to Micro Cluster Picnic" by Shane de Lange "Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis "Fragments of Memory: Asha Zero and the walking dream" by Gus Silber. Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos... Capecodes is a project focused on skills training in live modern audio drama. Contributions include: "Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu "Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela. Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.

The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. Jackson was born in 1977 in Livingston, New Jersey. Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.

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